Reflections
I came back from a wet day out. I am revisiting the old magic of writing with a fountain pen. There is just this sensitivity that this pen exudes as the black non-viscous ink flows and spread on this lightly textured and slightly yellow sketch journal.
There isn't a more sensuous feeling of writing than is felt when writing this way.
The speed of the ink as it is absorbed into the paper makes sure that one does not ponder too long before making a mark. One is more likely to then express more freely...a sketchbook free of lines helps too...
Let me make a note here to dabble into water colour or chinese ink painting or calligraphy in the future
I'm just facinated by the apparent randomness that is seen as blots of ink spread on paper. Of course to say it is random is not correct, it is only as unpredictable as the variables are allowed to be undetermined...a phenomenon more likely to be achieved by more naturally made paper...different inks spread in different patterns at different speeds on different types of paper. It is so sensitive as to record every trace of our contact with marking instrument, its ink and the paper. It makes us aware of the vast variables there are out there whenever we make a mark on the environment.
This bout of reflection was inspired by the space, both chronological and physical, that I'm experiencing now. Chronological because, somehow, the time after twelve seems to expand, like how time stands still when one just can't get to sleep. The space seems quieter than it was in the day, even though there isn't much apparent change in noise levels. There seems more space physically as the only light on is the table lamp, and the space around seems to fade away indeterminately...the music on now is some timeless nostalgic japanese piano jazzy stuff that is pretty atmospheric, not in the trance sort of way, but more in the way retrospection and reflection gives physical space another dimension of time, that reaches into the past and fuses it into the present.
This retro fetish was fed by the impressive props of Munich by Steven Spielberg, with the gem of Citreon DS 21 standing out so beautifully...
I will sleep now...

the 1972 Citroen DS 21 (Lorraine)